Do you have a place that just feels like home, but it has never really been "home"?
I make a daily hour long commute each way to work. The last few weeks I have taken that opportunity to listen to sermons from Rob Bell. Rob Bell has made some people mad at times. But for me, he is able to name that part of me that longs for church the way I imagine it could be. I deeply long for a church community that can come around a vision of the Kingdom of God that actually makes a difference in the way they live.
Last week I came to tears as I heard of young girl who was quite sick and one day asked her mother, "Who holds the orphans in Africa when they get sick?" Her mother answered that likely no one did. The young girl couldn't stand for that, so she had the idea to get teddy bears for the children in African orphanages so they could at least get a hug from their teddy. That is all sweet, but I'm just not sentimental enough to cry at this point.
But when she got done telling her story and Rob got back up to speak, I just lost it. He announced that a member of their congregation in an earlier church service that day had decided to pay the way for this young girl and her mom to deliver the teddy bears to an orphanage themselves.
Wow.
Two observations as both a pastor and a Christian. The only thing that made this possible was a church community that mentors people in two meaningful ways. Little girls don't ask about children in Africa being held unless you talk about African children with them...a lot. Second, people don't normally give up large sums of money on a whim during a church service unless they have heard of other people making similar choices or have made similar (but likely smaller) choices themselves. Their church holds up the needs of Africa in an ongoing way. So ongoing that five-year-olds catch the vision, too. And they tell stories whenever someone gives of themselves for another.
Something in me just makes me think that this is home. I've only been to their church 3 or 4 times. Its not really home. But it feels that way because these people are tapping into something that we were all design to do. We were designed to give ourselves for others. When we do this we participate in the God way of life...the Kingdom of God. We begin to participate in the image of God to which we were created. When we see this kind of life it strikes a chord deep in our souls. Simply put, its like coming home.
When do you have times when it feels like you have come home, even if you have never been there before?
Tuesday, November 10, 2009
Monday, November 02, 2009
Music for the "Emerging Church"
You can check out this post on my new blog here.
A friend asked me recently what it would mean to do music for the emerging church. I thought a trite answer in passing would simply not do, and I have yet to write anything on the matter. Here it goes.
There is no simple "Look at what these artists" are doing for the emerging church. I don't think there could be such a simple guide. But I think I can name a few trends that I have seen as relevant.
First, emerging church people like things that are old, but they don't want them to seem old. There is a desire to connect with the historic church, especially the very early church. Of course, very little of the Second and Third centuries' music is readily available. In absence of this, songs more than 100 years old will do. Remade hymns are very popular. They need to be "remade" because many emerging congregations are led in music by guitar-driven bands and the formerly organ-driven music doesn't translate well. This is not only because the harmonization is hard to reproduce, but more importantly that the rhythms are wrong. I'm not a trained musician, but years of leading worship has told me that I can play the wrong chords in a modern worship song but I can't mess up the syncopation. Rhythm drives modern music even more than melody or harmonization. The best of these remade hymns have been done by Passion Hymns: Ancient and Modern and The Odes Project. The first project consists of hymns which have been modified to work with guitar rhythms and often add a very singable and simple chorus/refrain between verses. A multitude of other projects are available with a little internet searching. (NOTE: DO NOT try to introduce these remade hymns into a church which loves to sing hymns and think that you will make your "traditional" church into a "contemporary" one. The differences will make the "hymns people" go crazy. This only works one direction because the guitar and rock rhythms are the uniting factor, not the lyrics or melodies. Contemporary churches can use these, traditional ones cannot. I have tried it in two different churches and it failed MISERABLY both times.) The Odes Project takes some first century worship songs and puts them to music. I haven't used them, but I imagine they have great potential with emerging church types....just give them the history of what they are singing and they will love it.
Second, and this is related to the first, "emerging church" types are tired of shallow theology. "Lord, I Lift Your Name on High" and "I Could Sing of Your Love Forever" just will not cut it with these folks. This is part of the reason they like the hymns projects, they have some theological depth. They don't want to lose the singability of these earlier songs though. On a practical note, I have found that the best songs for this group are the ones with great theological depth in the verses and a very simple and singable chorus and, hopefully, a simple bridge also. While "emerging church" types do not want a overly simple sermon with trite answers to all of life's questions, they similarly don't want their music to express such a world either. The world is complex and mysterious, music and sermons should be too. I think anything by the Passion music label is going to take you in the right direction (especially David Crowder Band, Chris Tomlin, and Matt Redman).
Third, passion is more important than polish. Jeremy Camp and Rita Springer are cool, Hillsongs are not. The former artists sing their heart out in every moment. They are experiencing their own music, even in the studio. Hillsongs seems (though I don't believe that this is their ministry hearts) to be more about strong harmony than connection with God. Four part harmony is cool once in a while, but don't lose the total abandonment for the Good News of Christ. Worship leaders should be selected on the depth of their worship. Does their singing and playing come out of a deep desire to bring glory to God? This should come out in their worship in church too. Don't choose the better vocalist, choose the more sold out worshiper. Don't choose the song that sounds the prettiest, use the songs which make your worship leaders and your congregation want to sing their heart out.
There is one other thing, music-related but not necessarily worship related. Emerging church types also really like the "protest songs gone Christian" of people like Derek Webb. (My personal favorite is one of his earlier albums "She Must and Shall Go Free.") They aren't really meant to be sung congregationally, but they work in other aspects of a worship service.
(on a side note) Best resource ever for a worship leader: WorshipTogether.com
I hope some of that is helpful. If you have some comments or additional music selections, then please add them and lets start a conversation. What music are you doing for "emergents" that is working? Is there anything here that you just disagree with? Have I named too many main stream musicians to "really" be emerging church music?
A friend asked me recently what it would mean to do music for the emerging church. I thought a trite answer in passing would simply not do, and I have yet to write anything on the matter. Here it goes.
There is no simple "Look at what these artists" are doing for the emerging church. I don't think there could be such a simple guide. But I think I can name a few trends that I have seen as relevant.
First, emerging church people like things that are old, but they don't want them to seem old. There is a desire to connect with the historic church, especially the very early church. Of course, very little of the Second and Third centuries' music is readily available. In absence of this, songs more than 100 years old will do. Remade hymns are very popular. They need to be "remade" because many emerging congregations are led in music by guitar-driven bands and the formerly organ-driven music doesn't translate well. This is not only because the harmonization is hard to reproduce, but more importantly that the rhythms are wrong. I'm not a trained musician, but years of leading worship has told me that I can play the wrong chords in a modern worship song but I can't mess up the syncopation. Rhythm drives modern music even more than melody or harmonization. The best of these remade hymns have been done by Passion Hymns: Ancient and Modern and The Odes Project. The first project consists of hymns which have been modified to work with guitar rhythms and often add a very singable and simple chorus/refrain between verses. A multitude of other projects are available with a little internet searching. (NOTE: DO NOT try to introduce these remade hymns into a church which loves to sing hymns and think that you will make your "traditional" church into a "contemporary" one. The differences will make the "hymns people" go crazy. This only works one direction because the guitar and rock rhythms are the uniting factor, not the lyrics or melodies. Contemporary churches can use these, traditional ones cannot. I have tried it in two different churches and it failed MISERABLY both times.) The Odes Project takes some first century worship songs and puts them to music. I haven't used them, but I imagine they have great potential with emerging church types....just give them the history of what they are singing and they will love it.
Second, and this is related to the first, "emerging church" types are tired of shallow theology. "Lord, I Lift Your Name on High" and "I Could Sing of Your Love Forever" just will not cut it with these folks. This is part of the reason they like the hymns projects, they have some theological depth. They don't want to lose the singability of these earlier songs though. On a practical note, I have found that the best songs for this group are the ones with great theological depth in the verses and a very simple and singable chorus and, hopefully, a simple bridge also. While "emerging church" types do not want a overly simple sermon with trite answers to all of life's questions, they similarly don't want their music to express such a world either. The world is complex and mysterious, music and sermons should be too. I think anything by the Passion music label is going to take you in the right direction (especially David Crowder Band, Chris Tomlin, and Matt Redman).
Third, passion is more important than polish. Jeremy Camp and Rita Springer are cool, Hillsongs are not. The former artists sing their heart out in every moment. They are experiencing their own music, even in the studio. Hillsongs seems (though I don't believe that this is their ministry hearts) to be more about strong harmony than connection with God. Four part harmony is cool once in a while, but don't lose the total abandonment for the Good News of Christ. Worship leaders should be selected on the depth of their worship. Does their singing and playing come out of a deep desire to bring glory to God? This should come out in their worship in church too. Don't choose the better vocalist, choose the more sold out worshiper. Don't choose the song that sounds the prettiest, use the songs which make your worship leaders and your congregation want to sing their heart out.
There is one other thing, music-related but not necessarily worship related. Emerging church types also really like the "protest songs gone Christian" of people like Derek Webb. (My personal favorite is one of his earlier albums "She Must and Shall Go Free.") They aren't really meant to be sung congregationally, but they work in other aspects of a worship service.
(on a side note) Best resource ever for a worship leader: WorshipTogether.com
I hope some of that is helpful. If you have some comments or additional music selections, then please add them and lets start a conversation. What music are you doing for "emergents" that is working? Is there anything here that you just disagree with? Have I named too many main stream musicians to "really" be emerging church music?
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